Manual Ref* | NFklHH001 Show 4 images | 42 | ||||||||||||||||||||||
Title* |
Full Moon Circle |
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County | Norfolk | District Council | King's Lynn | |||||||||||||||||||||
Civil Parish or equivalent | New Houghton | Town/Village* | Houghton Hall | |||||||||||||||||||||
Road | Just off the A148 King's Lynn to Cromer Road | |||||||||||||||||||||||
Precise Location | 2004 installed on axis with the main entrance on east side; 2009 moved to the end of the ha-ha opposite the house entrance on the West front | |||||||||||||||||||||||
OS Grid Ref | TF791287 | Postcode | PE31 | |||||||||||||||||||||
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Setting | Park at end of ha ha | Access | Public | |||||||||||||||||||||
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Commissioned by |
David (Lord) Cholmondeley | |||||||||||||||||||||||
Design & Constrn period |
2004 | |||||||||||||||||||||||
Date of installing |
Jan 2004 and 2008/2009 |
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Owner/Custodian |
Houghton Hall Estate | |||||||||||||||||||||||
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Description (physical) |
Large installation of overlapping pieces of slate located on a mowed lawn on a central axis with front entrance and the view from the first floor Marble Hall. The slates are rough finished and laid flat on the lawn as a large grey circular shape against the green of the grass. | |||||||||||||||||||||||
Description (iconographical) |
The first of Lord Cholmondeley's three commissions to distinguished modernist sculptors intended to bring new life to Houghton Hall and Gardens. The circle is consistent with Long's post-minimalist sculptural work usually referred to as land or environmental art. Long's early work documented his walks in the landscape with maps, brief descriptions of the itinerary and dates, backed up with photographs. Later, as he explained in one of the notes in his Heaven and Earth exhibition in Tate Britain June - September 2009, he wanted to recreate his outdoor experiences in gallery conditions. These include Red Slate Circle of 1980, now in the National Gallery of Scotland and the Norfolk Flint Circle of 1990 in the collection of the Tate. The moon has a special place meaning for Long and his 1996 Walk of 366 miles ended with a lunar eclipse, evoked in his filled circle at Houghton, which represents the craters of the moon but also suggests a universal form that transcends cultural and national specificities and can be used in any environment. Long often uses local materials for his installations but in this case transports slate from the west of England to the east. Since in 2004 planting of the west front had only just begun, Full Moon would have looked lost on that side and was sited in the avenue of trees leading to the main east entrance, echoing the Leicester monument at Holkham Hall. With the maturing of the planting on the western side, the further commissions, Full Moon was repositioned in the curve of the ha ha, where it forms a striking feature in the middle of the long vista | |||||||||||||||||||||||
Photographs |
Date taken:
27/5/2006
Date logged: 29/5/2006 |
Photographed by: |
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On Site Inspection |
Date: 27/5/2006 |
Inspected by: |
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Sources and References |
J. Kastner & B. Wallis (eds) Land and Environmental Art, Maidstone 2004 / www.houghtonhall.com/htmlfiles/1024index.htm accessed 26-May-07; Cholmondeley, D. (Lord), ‘Houghton resurgent’, Norfolk Gardens Trust Journal, Spring 2004, 6-11 | |||||||||||||||||||||||
Database |
Date entered: 1/6/2006 |
Data inputter: |