Manual Ref* | NFnrNOR009 Show 4 images | 10 | ||||||||||||||||||||||
Title* |
Sea Form (Atlantic) |
|||||||||||||||||||||||
County | Norfolk | District Council | Norwich City Council | |||||||||||||||||||||
Civil Parish or equivalent | Norwich City Council | Town/Village* | Norwich | |||||||||||||||||||||
Road | St George's Square | |||||||||||||||||||||||
Precise Location | In newly formed piazza in front of Playhouse | |||||||||||||||||||||||
OS Grid Ref | TG230089 | Postcode | NR1 | |||||||||||||||||||||
Previous location(s) | In former moat of Castle Gardens | |||||||||||||||||||||||
Setting | In public square | Access | Public | |||||||||||||||||||||
|
||||||||||||||||||||||||
Commissioned by |
Purchased by Norfolk Museums and Archaeology Service, GRANT-AID Gulbenkian Foundation & Victoria and Albert Museum 1968 | |||||||||||||||||||||||
Design & Constrn period |
1964 | |||||||||||||||||||||||
Date of installing |
1968 and re-installed 2008 |
Exact date of unveiling |
||||||||||||||||||||||
Category |
|
|||||||||||||||||||||||
Object Type |
|
|||||||||||||||||||||||
Subject Type |
|
|||||||||||||||||||||||
Subject Sub Type |
|
|||||||||||||||||||||||
|
||||||||||||||||||||||||
Work is |
|
|||||||||||||||||||||||
Owner/Custodian |
Norfolk Museums and Archaelogy Service (1967.816.967) | |||||||||||||||||||||||
Listing status |
|
|||||||||||||||||||||||
Surface Condition |
|
|||||||||||||||||||||||
Structural Condition |
|
|||||||||||||||||||||||
Vandalism |
|
|||||||||||||||||||||||
Overall condition |
|
|||||||||||||||||||||||
Risk |
|
|||||||||||||||||||||||
Signatures/Marks | On top of bronze plinth: Barbara Hepworth 1964 3/6 On front bronze of plinth: Morris Singer Founders London | |||||||||||||||||||||||
Inscriptions | On base: SEA FORM ATLANTIC 1964/ BARBARA HEPWORTH 1903 - 75 | |||||||||||||||||||||||
Description (physical) |
The sculpture is gently curved with a beautifully rendered surface of greenish bronze. It is penetrated by two sets of openings to allow views through - two larger ones near the centre complemented by three smaller ones to the right. It is intended for a frontal view. As the inscription on the plinth suggests it is the third of six versions in public collections (+ one unnumbered remaining with the artist). On its purchase Sea Form Atlantic was displayed in the former moat of the Castle Gardens (shown in the last of the photographs) on a site used by the Norwich Twenty Group for regular exhibitions of their work. Far from welcoming the commission to one of the country's outstanding artists they grumbled that the municipal response was to turn away from this local enterprise towards the central artistic establishment ( Nobbs, G. & Wood, H., Davenport's Norwich, Norwich, 1971 p.20). In 2008 the sculpture was moved to its new site to complete the pedestrianisation of the area around St Andrew’s Hall and the Norwich University College of the Arts (the former Norwich Art School). Sea Form Atlantic was first displayed with the smoother side facing the spectator in Castle Gardens, with the more rugged site towards the steps up to the Castle. Castle Gardens proved a remote site, and few were aware the the City owned a public sculpture by Hepworth. The new site addresses this, and the ease with which it could have been loaded onto a lorry and removed, surrounding it with seating opposite the Playhouse. In its new setting the sculpture has been reversed, to display the facetted cutting of the main opening, the view shown in the two photographs in the 1971 Complete Sculpture. The change underlines that the statue works exceptionally well from both viewpoints and should make it more accessible, but at a price, since the new site has not been thought out and the result is disappointing by comparison with its setting against the Castle mound with the great Norman Keep behind. | |||||||||||||||||||||||
Description (iconographical) |
Barbara Hepworth’s account of her work in John Read’s 1961 film on her work are relevant to Sea Form (Atlantic): ‘The forms which have had special meaning for me since childhood have been the standing form (which is the translation of my feeling towards the human being standing in landscape); the two forms (which is the tender relationship of one living thing beside another); and the closed form, such as the oval, spherical or pierced form (sometimes incorporating colour) which translates for me the association and meaning of gesture in landscape [...].’ ‘I became more and more pre-occupied with the inside and outside of forms as I had been in the late 1930's, but on a bigger scale. I wanted to make forms to stand on hillsides and through which to look to the sea. Forms to lie down in, or forms to climb through.’ Sea Form (Atlantic) was the third in a series of six sculptures prompted by the landscape of Cornwall, where she had moved in 1939, with its Atlantic background and by its ancient menhirs. This is combined with reference to the tradition of figurative sculpture in the larger pair of openings which suggest a body with its smaller head. | |||||||||||||||||||||||
Photographs |
Date taken:
12/4/2006
Date logged: |
Photographed by: |
||||||||||||||||||||||
On Site Inspection |
Date: 15/5/2006 |
Inspected by: |
||||||||||||||||||||||
Sources and References |
barbarahepworth.org.uk/texts/ accessed 24/02/2010; Barnes, Richard : 2002 : The Year of Public Sculpture, Norfolk 41; www.culturalmodes.norfolk.gov.uk/projects/nmaspub5, 04/12/05; Bowness, Alan, ed., Complete Sculpture of Barbara Hepworth 1960-69, London Cat. 362 and pls. 103 and 4 | |||||||||||||||||||||||
Database |
Date entered: 20/6/2006 |
Data inputter: |